Theatre Practitioners: Augusto Boal
Augusto Boal
Born: 16 March 1931, Rio de Janiero, Brazil
Died: 2 May 2009, Rio de Janiero, Brazil
Influenced By: Brecht, Exploitation & Change
He was raised in Brazil, but actually attended Columbia University in the late 1940's for a chemical engineering degree which he completed right before he was asked to return to Brazil to work with he Arena Theatre in Sao Paulo.
His works at the Arena Theatre led to his experimentation with new forms of theatre that he was introduced to (such as Brecht and Stanislavski) and these practices became the Theatre of the Oppressed (1971).
- Still Image
- Freezing the action at a particular moment that fixes it in the minds of the audience and ensures its significance is not lost
- Key Moment
- May be repeated or played 'on a loop'
- Slow Motion
- Used to highlight a key moment, so that it is not lost on an audience & draws attention to the moment
- Narration or Thought-Track
- Could be added as a commentary on what has just occurred
- Lighting and Sound
- A spotlight can be used to direct the audience's focus towards the key moment and a sound effect can also draw attention to it
This script wouldn't involve the improvisation and the opportunities for spect-actors to influence the action, however it would be an example of a possible base script, where the real actors learn this and this is somewhat of an issue in society. It would depict something ethical and show oppression within a system.
This is a good summary of the ideas and theory behind this genre of performance; I hope you were able to try some of them out practically in class during my absence.
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